Out of Scale (1951) Donald Duck has a model train and town laid out in his yard. Soon they learn just how dark some secrets can be. Silver Woods (2017) When a local park ranger warns a group of friends to stay out of the woods they can't resist. If he hunts down the marauding Randal Brothers, the bounty will be removed To eliminate this he makes a deal with the local politicians. è lombra della tua morte (1969) Sartana has a bounty on his head and he's wanted dead or alive. What he doesnt expect is to get teamed up with a cocky civili government, one of the United States top spies, Alex Scott, is called to action. When the Switchblade, the most sophisticated prototype stealth fighter created yet, is stolen from the U.S.
He signs in at the local hotel using the name 'Gene Gere', which happens to be the name of an FBI agent in Los Angeles working on the Road Ends (1997) Esteban, a mysterious figure involved in a drug deal of some kind, arrives in a quiet desert town. The Devils Arithmetic (1999) This is another telling of the holocaust, but this time from the perspective of a modern teenage girl who only grudgingly accepts the Jewish traditions, but when she is asked to "open the front door" as part ofĪ female American reporter searches for her missing brother against the backdrop of violence and human smuggling across the US/Mexican border. She is an office lady who still romanticizes a school-mate, but has the opportunity. Tremble All You Want (2017) Virgin twenty-something girl is neat, talented and professional, although almost too much of all these. Most of the actors reprise their roles from the previous i It premiered on Fox during the Easter season. Ice Age: The Great EggScapade is a 2016 American computeranimated television special, produced by Blue Sky Studios and directed by Ricardo Cutis. But as an object lesson of how little you need for terror beyond pitch darkness, The Blair Witch Project deserves all its success, and then some.Carnage Park (2016) Part crime caper gone awry, part survival horror film, this 1970s set thriller depicts a harrowing fight for survival after a pair of wannabe crooks botch a bank heist and flee into the desert, where they inexplicably stumble upon Inevitably, the film has more rough edges than most (many deliberate), and the improvised dialogue veers from the unsettlingly convincing and the needlessly rambling. It's strong on disturbing throwaways (stick-figure dolls, child-sized handprints, something unidentifiably bloody) and there's a gathering sense of panic - realising the woods don't conform to her precious map, Heather finally cracks up completely, far more disturbingly terrified than any previous screen screamer.
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It would be unfair to give away too much, but the movie gets its chills without resorting to special effects (which it couldn't have afforded anyway) or anything in the way of an explanation. After interviewing a couple of locals about the legend, the foolhardy trio head into the woods, and everything starts to fall apart. The actors, using their real names, swiftly establish soon-to-fray relationships: Heather (Donahue) is the director willing to suffer for her art who doesn't care if others suffer less willingly with her, cameraman Josh (Leonard) is the slacker-type along for the ride and sound technician Mike (Williams) is mostly concerned with making sure they get the rented equipment back on time. The first few minutes are disorienting, deliberately shot with all the shakiness of raw footage from some backpacker's video diary.
An opening caption tells us that three wannabe filmmakers disappeared in October 1994 in the Black Hills Forest of Maryland and that all that was ever found of them were several cans of film, which have been edited together into the documentary we are being shown.
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First-time writer-directors Myrick and Sanchez opt for an update of that format (perhaps influenced by the notorious Cannibal Holocaust and all those bogus In Search Of Bigfoot snorers that came out in the 70s), with film instead of a diary. Many classic literary ghost and horror stories pretend to be manuscripts left by mysteriously-disappeared narrators, who often let their pens drop in mid-sentence as the monster comes to get them.
But, in a way, it's a shame this micro-budgeted picture has received so much attention for its unusual production history and comes to the UK after success of blockbusting proportions in the US, since it's the sort of film that gets its best effects by creeping up on you unawares and whispering scary things in the dark. By now, the word legend applies as much to the making and marketing of this extraordinary film as to the fictional backstory that haunts its characters.
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